Ever wish that the characters from your favorite story could step out and join you for a drink? Then check out "The Magician and the Maid and Other Stories" by Christie Yant, from the anthology The Way Of The Wizard.

The Way of the Wizard is edited by John Joseph Adams and includes stories by Neil Gaiman, Ursula K. Le Guin, Kelly Link, George R.R. Martin, Peter S. Beagle and many others. Here's one of our favorites.


by Christie Yant

She called herself Audra, though that wasn't her real name; he called himself Miles, but she suspected it wasn't his, either.

She was young (how young she would not say), beautiful (or so her Emil had told her), and she had a keen interest in stories. Miles was old, tattooed, perverted, and often mean, but he knew stories that no one else knew, and she was certain that he was the only one who could help her get back home.


She found him among the artists, makers, and deviants. They called him Uncle, and spoke of him sometimes with loathing, sometimes respect, but almost always with a tinge of awe—a magician in a world of technicians, they did not know what to make of him.

But Audra saw him for what he truly was.


There once was a youth of low birth who aspired to the place of King's Magician. The villagers scoffed, "Emil, you will do naught but mind the sheep," but in his heart he knew that he could possess great magic.


The hedge witches and midwives laughed at the shepherd boy who played at sorcery, but indulged his earnestness. He learned charms for love and marriage (women's magic, but he would not be shamed by it) and for wealth and luck, but none of this satisfied him, for it brought him no nearer to the throne. For that he needed real power, and he did not know where to find it.

He had a childhood playmate named Aurora, and as they approached adulthood Aurora grew in both beauty and cleverness. Their childhood affection turned to true love, and on her birthday they were betrothed.

The day came when the youth knew he had learned all that he could in the nearby villages and towns. The lovers wept and declared their devotion with an exchange of humble silver rings. With a final kiss Emil left his true love behind, and set out to find the source of true power.



It was not hard to meet him, once she understood his tastes. A tuck of her skirt, a tug at her chemise; a bright ribbon, new stockings, and dark kohl to line her eyes. She followed him to a club he frequented, where musicians played discordant arrangements and the patrons were as elaborately costumed as the performers. She walked past his booth where he smoked cigarettes and drank scotch surrounded by colorful young women and effeminate young men.

"You there, Bo Peep, come here."

She met his dark eyes, turned her back on him, and walked away. The sycophants who surrounded him bitched and whined their contempt for her. He barked at them to shut up as she made her way to the door.


Once she had rejected him it was easy. She waited for his fourth frustrated overture before she joined him at his table.

"So," she said as she lifted his glass to her lips uninvited, "tell me a story."

"What kind of story?"

"A fairy tale."

"What—something with elves and princes and happily-ever-after?"

"No," she said and reached across the corner of the table to turn his face toward her. He seemed startled but complied, and leaned in until their faces were just inches apart. "A real fairy tale. With wolves and witches, jealous parents, woodsmen charged with murdering the innocent. Tell me a story, Miles—" she could feel his breath against her cheek falter as she leaned ever closer and spoke softly into his ear "—tell me a story that is true."



Audra was foot-sore and weary when they reached the house at dawn. She stumbled on the stone walk, and caught Miles's arm to steady her.

"Are you sure you don't need anything from home?" he asked as he worked his key in the lock.


At his mention of home, she remembered again to hate him.

"Quite sure," she said. He faced her, this time with a different kind of appraisal. There was no leer, no suspicion. He touched her face, and his habitual scowl relaxed into something like a smile.

"You remind me of someone I knew once, long ago." The smile vanished and he opened the front door, stepping aside to let her pass.


His house was small and filled with a peculiar collection of things that told her she had the right man. Many of them where achingly familiar to Audra: a wooden spindle in the entryway, wound with golden thread; a dainty glass shoe on the mantle, almost small enough to fit a child; in the corner, a stone statue of an ugly, twisted creature, one arm thrown protectively over its eyes.

"What a remarkable collection," she said and forced a smile. "It must have taken a long time to assemble."

"Longer than I care to think of." He picked a golden pear off the shelf and examined it. "None of it is what I wanted." He returned it to the shelf with a careless toss. "I'll show you the bedroom."


The room was bare, in contrast with the rest of the house. No ornament hung on the white plaster walls, no picture rested on the dresser. The bed was small, though big enough for two, and covered in a faded quilt. It was flanked by a table on one side, and a bent wood chair on the other.

Audra sat stiffly at the foot of the bed.

The mattress creaked as Miles sat down beside her. She turned toward him with resolve, and braced herself for the inevitable. She would do whatever it took to get back home.


She had done worse, and with less cause.

He leaned in close and stroked her hair; she could smell him, sweet and smoky, familiar and foreign at the same time. She lifted a hand to caress his smooth head where he lingered above her breast. He caught her wrist and straightened, pressed her palm to his cheek—eyes closed, forehead creased in pain—then abruptly dropped her hand and rose from the bed.

"If you need more blankets, they're in the wardrobe. Sleep well," he said, and left Audra to wonder what had gone wrong, and to consider her next move.



Aurora was as ambitious as Emil, but of a different nature. She believed that the minds of most men were selfish and swayed only by fear or greed. In her heart there nestled a seed of doubt that Emil could get his wish through pure knowledge and practice. She resolved in her love for him to secure his place through craft and wile.

Aurora knew the ways of tales. She planted the seed of rumor in soil in which it grew best: the bowry; the laundry; anywhere the women gathered, she talked of his power.


But word of the powerful sorcerer had to reach the King himself, and to get close enough she would need to use a different craft.

The hands of guards and pikemen were rougher than Emil's; the mouths of servants less tender. She ignited the fire of ambition in their hearts with flattery, and fanned it with promises that Emil, the most powerful sorcerer in the kingdom, would repay those who supported him once he was installed in the palace.

And if she had regrets as she hurried from chamber to cottage in the cold night air, she dismissed them as just a step on the road toward realizing her lover's dream.



Audra woke at mid-day to find a note on the chair in the corner of the room.

In deep black ink and an unpracticed hand was written:

"Stay if you like, or go as you please. I am accountable to only one, and that one is not you. If that arrangement suits you, make yourself at home. – M."


It suited her just fine.

She searched the house. She wasn't sure what she was looking for, but she was certain that any object of power great enough to rip her from her own world would be obvious somehow. It would be odd, otherworldly, she thought—but that described everything here. Like a raven's hoard, every nook contained some shiny, stolen object.

On a shelf in the library she found a clear glass apothecary jar labeled "East Wind." Thief, she thought. Audra hoped that the East Wind didn't suffer for the lack of the contents of the jar. She would keep an eye on the weather vane and return it at the first opportunity.


Something on the shelf caught her eye, small and shining, and her contempt turned to rage.


She pocketed Emil's ring.

Miles seemed to dislike mirrors. There were none in the bedroom; none even in the washroom. The only mirror in the house was an ornate, gilded thing that hung in the library. She paused in front of it, startled at her disheveled appearance. She smoothed her hair with her fingers and leaned in to examine her blood-shot eyes—and found someone else's eyes looking back at her.


The gaunt, androgynous face that gazed dolefully from deep within the mirror was darker and older than her own.

"Hello," she said to the Magic Mirror. "I'm Audra."

The Mirror shook its head disapprovingly.

"You're right," she admitted. "But we don't give strangers our true names, do we?"


She considered her new companion. The long lines of its insubstantial face told Audra that it had worn that mournful look for a long time.

"Did he steal you, as well? Perhaps we can help each other find a way home. The answer is here somewhere."

The face in the Mirror brightened, and it nodded.

Audra had an idea. "Would you like me to read to you?"


Emil travelled a bitter road in search of the knowledge that would make his fortune. By day he starved, by night he froze. But one day Luck was with him, and he caught two large, healthy hares before sunset. As he huddled beside his small fire, the hares roasting over the flames, a short and grizzled man came out of the forest, carrying a sack of goods.


"Good evening, Grandfather," Emil said to the little man. "Sit, share my fire and supper." The man gratefully accepted. "What do you sell?" Emil asked.

"Pots and pans, needles, and spices," the old man said.

"Know you any magic?" Emil asked, disappointed. He was beginning to think the knowledge he sought didn't exist, and he was losing hope.


"What does a shepherd need with magic?"

"How did you know I'm a shepherd?" Emil asked in surprise.

"I know many things," the man said, and then groaned, and doubled over in pain.

"What ails you?" Emil cried, rushing to the old man's side.

"Nothing that you can help, lad. I've a disease of the gut that none can cure, and my time may be short."


Emil questioned the man about his ailment, and pulled from his pack dozens of pouches of herbs and powders. He heated water for a medicinal brew while the old man groaned and clutched his stomach.

The man pulled horrible faces as he drank down the bitter tea, but before long his pain eased, and he was able to sit upright again. Emil mixed another batch of the preparation and assured him that he would be cured if he drank the tea for seven days.

"I was wrong about you," the man said. "You're no shepherd." He pulled a scroll from deep within his pack. "For your kindness I'll give you what you've traveled the world seeking."


The little man explained that the scroll contained three powerful spells, written in a language that no man had spoken in a thousand years. The first was a spell to summon a benevolent spirit, who would then guide him in his learning.

The second summoned objects from one world into another, for every child knew that there were many worlds, and that it was possible to pierce the veil between them.

The third would transport a person between worlds.

If he could decipher the three spells, he would surely become the most powerful sorcerer in the kingdom.


Emil offered the old man what coins he had, but he refused. He simply handed over the scroll, bade Emil farewell, and walked back into the forest.


Audra filled her time reading to the Mirror. The shelves were filled with hundreds of books: old and new, leather-bound and gilt-edged, or flimsy and sized to be carried in a pocket.


She devoured them, looking for clues. How she got here. How she might get back.

On a bottom shelf in the library, in the sixth book of a twelve-volume set, she found her story.

The illustrations throughout the blue, cloth-bound book were full of round, cheerful children and curling vines. She recognized some of her friends and enemies from her old life: there was Miska, who fooled the Man-With-The-Iron-Head and whom she had met once on his travels; on another page she found the fairy who brought the waterfall to the mountain, whom Audra resolved to visit as soon as she got home.


She turned the page, and her breath caught in her throat.

"The Magician and the Maid," the title read. Beneath the illustration were those familiar words, "Once upon a time."

A white rabbit bounded between birch trees toward Audra's cottage. Between the tree tops a castle gleamed pink in the sunset light, the place where her story was supposed to end. Audra traced the outline of the rabbit with her finger, and then traced the two lonely shadows that followed close behind.


Two shadows: one, her own, and the other, Emil's.


Audra was reading to the Mirror, a story it seemed to particularly like. It did tricks for her as she read, creating wispy images in the glass that matched the prose.


She had just reached the best part, where the trolls turn to stone in the light of the rising sun, when she heard footsteps outside the library door. The Mirror looked anxiously toward the sound, and then slipped out of sight beyond the carved frame.

The door burst open.

"Who are you talking to?" Miles demanded. "Who's here?" He smelled of scotch and sweat, and his overcoat had a new stain.


"No one. I like to read aloud. I am alone here all day," she said.

"Don't pretend I owe you anything." He slouched into the chair and pulled a cigarette from his coat. "You might make yourself useful," he said. "Read to me."

The room was small, and she stood no more than an arm's length away, feeling like a school girl being made to recite. She opened to a story she did not know, a tale called "The Snow Queen," and began to read. Miles closed his eyes and listened.


"Little Kay was quite blue with cold, indeed almost black, but he did not feel it; for the Snow Queen had kissed away the icy shiverings, and his heart was already a lump of ice," she read.

She glanced down at him when she paused for breath to find him looking at her in a way that she knew all too well.

Finally, an advantage.

She let her voice falter when he ran a finger up the side of her leg, lifting her skirt a few inches above her knee.


She did not stop reading—it was working, something in him had changed as she read. Sex was a weak foothold, but it was the only one she had, and perhaps it would be a step toward getting into his mind.

"He dragged some sharp, flat pieces of ice to and fro, and placed them together in all kinds of positions, as if he wished to make something out of them. He composed many complete figures, forming different words, but there was one word he never could manage to form, although he wished it very much. It was the word ‘Eternity.'  "

He fingered the cord tied at her waist, and tugged it gently at first, then more insistently. He leaned forward in the chair, and unfastened the last hook on her corset.


"Just at this moment it happened that little Gerda came through the great door of the castle. Cutting winds were raging around her, but she offered up a prayer and the winds sank down as if they were going to sleep; and she went on till she came to the large empty hall, and caught sight of Kay; she knew him directly; she flew to him and threw her arms round his neck, and held him fast, while she exclaimed, "Kay, dear little Kay, I have found you at last.'  "

His fingers stopped their manipulations. His hands were still on her, the fastenings held between his fingertips.

She dared not breathe.

Whatever control she had for those few minutes was gone. She tried to reclaim it, to keep going as if nothing had happened. She even dropped a hand from the book and reached out to touch him. His hand snapped up and caught hers; he stood, pulling hard on her arm.


"Enough." He left the room without looking back. She heard the front door slam.

Audra straightened her clothes in frustration and wondered again what had gone wrong.

It took only a moment's thought for Audra to decide to follow him. She peered out into the street: there he was, a block away already, casting a long shadow in the lamp light on the wet pavement.


Her feet were cold and her shoes wet through by the time he finally stopped at a warehouse deep in a maze of brick complexes. He manipulated a complex series of locks on the dented and rusting steel door, and disappeared inside.

So this was where he went at night? Not to clubs and parlors as she had thought, but here, on the edge of the inhabited city, to a warehouse only notable for having all its window glass.

The windows were too high for her to see into, but a dumpster beneath one of them offered her a chance. The metal bin was slick with mist, and she slipped off it twice, but on her third try she hoisted herself on top and nervously peered through the filthy glass of the window.


In the dim light she could just make out the shape of Miles, rubbing his hands fiercely together as if to warm them, then unrolling something—paper, or parchment—spreading it out carefully in front of him on the concrete floor. He stood, and began to speak.

The room grew brighter, and a face appeared in front of him, suspended in the air—a familiar face made of dim green light; Audra could see little of it through the dirty glass. She could hear Miles's voice, urgent and almost desperate, but the words he shouted at the thing made no sense to her.

She shifted her weight to ease the pain of her knee pressing against the metal of the dumpster, and slipped. She fell, and cried out in pain as she landed hard on the pavement. She didn't know if Miles had heard, but she did not wait to find out. She picked herself up—now wet, filthy, and aching—and ran.


When she reached the house she went straight to the library. Audra shifted the books on the shelf so that the remaining volumes were flush against each other, and she hid her book in the small trunk where she kept her few clothes.

The Mirror's face emerged from its hiding place behind the frame, looking worried and wan.

"It's my story, after all," she told it. "I won't let him do any more damage. What if he takes the cottage? The woods? Where would I have to go home to? No, he can't have any more of our story."



The language of the scroll was not as impossible as the little man had said—while it was not his own, it was similar enough that someone as clever as Emil could puzzle it out. He applied himself to little else, and before long Emil could struggle through half of the first spell. But when he thought of arriving home after so long, still unable to execute even the simplest of the three, the frustration in him grew.

Surely, he thought, he should begin with the hardest, for having mastered that the simpler ones will come with ease.


So thinking, he set out to learn the last of the three spells before he arrived home.


When Miles finally returned the following evening at dusk, he looked exhausted and filthy, as if he had slept on the floor of the warehouse. She met him in the kitchen, and didn't ask questions.


He brooded on a chair in the corner while she chopped vegetables on the island butcher block, never taking his eyes off her, then stood abruptly and left the room.

The hiss and sputter of the vegetables as they hit the pan echoed the angry, inarticulate hiss in her mind. She had been here for days, and she was no closer to getting home.

The knife felt heavy and solid in her hand as she cubed a slab of marbled meat. She imagined Miles under the knife, imagined his fear and pain. She would get it out of him—how to get home—and he would tell her what he had done to her Emil before the miserable bastard died.


Sounds from the next room were punctuated with curses. The crack of heavy books being unshelved made her flinch.

"Where is it?" he first seemed to ask himself; then louder, "Where?" he demanded of the room at large; then a roar erupted from the doorway: "What have you done with it, you vicious witch?"

A cold wash of fear cleared away her thoughts of revenge.

"What are you talking about?"

"My book," he said. "Where is it? What have you done with it?"

He came at her hunched like an advancing wolf. They circled the butcher block. She gripped the knife and dared not blink, for fear that he would take a split second advantage and lunge for her.


"You have many books."

"And I only care about one!" His hand shot out and caught her wrist, bringing her arm down against the scarred wood with a painful shock. The knife fell from her hand.

He dragged her into the library. "There," he said, pointing to the shelf where her book had been. "Six of twelve. It was there and now it's not." He relaxed his grip without letting go. "If you borrowed it, it's fine. I just want it back." He released her and forced a smile. "Now, where is it?"


"You're right," she said, "I borrowed it. I didn't realize it was so important to you."

"It's very special."

"Yes," she said, her voice low and hard, "it is."

And with that, she knew she had given herself away.

Miles shoved her away from him. She fell into the bookcase as he left the small library and shut door behind him. A key turned in the lock.


It was too late.

She rested with her forehead against the door and caught her breath. She tried to pry open the small window, but it was sealed shut with layers of paint. She considered breaking the glass, and then thought better of it; she could escape from this house, it was true, but not from this world. For that, she still needed Miles.

She watched the sun set through the dirty window, and tried to decide what to do when he let her out. She heard him pacing through the house, talking to himself with ever greater stridency, but the words made no sense to her. It gave her a headache.


The sound of the key in the door woke her. She grabbed at the first thing that might serve as a weapon, a sturdy hardcover. She held in front of her like a shield.

Miles stood in the doorway, a long, wicked knife in his hand.

"Who are you?" he finally asked, his eyes narrowed with suspicion. "And how did you know?"


"Someone whose life you destroyed. Liar. Thief. Murderer." She produced Emil's ring.

He seemed frozen where he stood, his eyes darting back and forth between the ring in her hand and her face. "I am none of those things," he said.

"You took all of this," she gestured around the room. "You took him, and you took me. And what did you do with the things that were of no use to you?"


She had been edging toward him while he talked. She threw the book at his arm and it struck him just as she had hoped. The knife fell to the floor and she dove for it, snatching it up before Miles could stop her.

She had him now, she thought, and pressed the blade against his throat. He tried to push her off but she had a tenacious grip on him and he ceased his struggle when the knife pierced his thin skin. She felt his body tense in her hands, barely breathing and perfectly still.

"You still haven't told me who you are."

"Where is he?" she demanded.

"Where is who?" His voice was smooth and controlled.

"The man you stole, like you stole me. Like you stole all of it. Where is he?"

"You're obviously very upset. Put that down, let me go, and we'll talk about it. I don't know about any stolen man, but maybe I can help you find him."


He voice was calm, slightly imploring, asking for understanding and offering help. She hesitated, wondering what threat she was really willing to carry out against an enemy who was also her only hope.

She waited a moment too long. Miles grabbed a heavy jar off the shelf and hurled it at the wall.

The East Wind ripped through the room, finally free.


Fatigued and half-starved, Emil made his way slowly toward his home, and tried to unlock the spell. Soon he had three words, and then five, and soon a dozen. He would say them aloud, emphasizing this part or that, elongating a sound or shortening it, until the day he gave voice to the last character on the page, and something happened: a spark, a glimmer of magic.


He had ciphered out the spell.

Finally, on the coldest night he could remember, with not a soul in sight, he raised his voice against the howling wind, and shouted out the thirteen words of power.

As weeks turned into months the stories of Emil the Sorcerer grew, until finally even the King had heard, and wanted his power within his own control.


But Emil could not be found.


The angry vortex threw everything off the shelves. Audra ducked and covered her head as she was pummeled by books and debris. Miles crouched behind the trunk, which offered little protection from the gale.


There was a crash above Audra's head; her arms flew up to protect her eyes; broken glass struck her arms and legs, some falling away, some piercing her skin.

The window broke with a final crash and the captive wind escaped the room. The storm was over. Books thumped and glass tinkled to the ground.

Audra opened her eyes to the wreckage. Miles was already sifting through the pages and torn covers.


"No," he said, "no! It has to be here, my story has to be here . . . " He bled from a hundred small cuts but he paid them no mind. Audra plucked shards of dark glass out of her flesh. The shards gave off no reflection at all.

A cloud drifted from where the Mirror had hung over the wreckage-strewn shelves, searching. On the floor beside Audra's trunk, the lid torn off in the storm, it seemed to find what it was looking for. It slipped between the pages of a blue cloth-bound volume and disappeared.

"Here!" Audra said, clutching the volume to her chest. He scrambled toward her until they kneeled together in the middle of the floor, face to face.


Smoke curled out of the pages, only a wisp at first. Then more, green and glowing like a sunbeam in a mossy pond, crept out and wrapped itself around both them.

"The Guide you sought was always here," a voice whispered. "Your captive, Emil, and your friend, Aurora." Audra—Aurora—looked at the man she had hated and saw what was there all along: her Emil, thirty years since he had disappeared, with bald head and graying beard. Miles, who kept her because she looked like his lost love, but who wouldn't touch her, in faith to his beloved.

Emil looked back at her, tears in the eyes that had seemed so dead and without hope until now.


"Now, Emil, speak the words," the voice said, "and we will go home."


So should you happen across a blue cloth-bound book, the sixth in a set of twelve, do not look for "The Magician and the Maid," because it is not there.


Read the other stories, though, and in the story of the fairy who brought the waterfall to the mountain, you may find that she has a friend called Audra, though you will know the truth: it is not her real name.

If you read further you may find Emil as well, for though he never did become the King's magician, every story needs a little magic.

This story originally appeared in The Way Of The Wizard edited by John Joseph Adams, out now from Prime Books.


CHRISTIE YANT is a software tester by day, a science fiction/fantasy writer by night. She is also an assistant editor with Lightspeed Magazine. This story is her first fiction publication. In addition to writing fiction, she has also narrated several stories for the Hugo Award-winning Starship Sofa podcast, and reviews audiobooks for Audible.com. She lives on the central coast of California with her two amazing daughters, her boyfriend, and assorted four-legged nuisances. Her website is inkhaven.net.