James Kirk stumbles into an exotic alien bazaar on a desert world, in some concept art from a sequence that never made it into J.J. Abrams' Star Trek. Check out more exclusive views from the Trek art book below.

Here's the book's caption for the above image and our other images of that concept art:

The parallel reality of conceptual design - visions of the exotic bazaar a wandering Kirk might have stumbled upon in the film. In its final design, the desert planet becomes a threatening world of snow and ice.


So instead of seeing Kirk chased through the snow by the Cloverfield monster's cousin, we could have seen him encountering a slew of weird alien traders and smugglers on a desert world? I guess Abrams' film was already enough like Star Wars without this sequence.

Star Trek: The Art Of The Film, on sale next week, is Titan Books' latest coffee-table art book tying in with a major science fiction movie, and it's one of the best so far. You get insights into stuff you might not have thought about, like the many different head tattoos the film's scurvy-addled Romulan dogs sported in the film — there's a two-page spread showing all the different tattoos, just in case you and all your friends want to get done up as Nero's crew for a convention. It turns out that the U.S.S. Kelvin was originally designed to look like a Soviet submarine (there are some early renderings) and Nero's ship, the Narada, was supposed to be like a hundred scary knives. The Cloverfield monster in the film was origianlly hairier and more like Aggedor from Doctor Who.

We've already seen some gorgeous concept art from the film, but there's still some great stuff in the book I hadn't seen before — including some early paintings of Vulcan, and a huge section on the reimagining of the U.S.S. Enterprise.

Images from Star Trek: The Art of the Film. Out November 17th from Titan Books.


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