Sometimes the greatest artworks are hidden in plain sight. Case in point: the University of Iowa recently discovered a four-volume set of scientific books from 1837 contains hidden paintings on the edges of the pages, which only show up when you fan them part-way open. These "Fore-Edge Paintings" are everywhere, and they're beautiful.
As Flavorwire explains, Fore-Edge Paintings go back to the 16th century, "when Italian artist Cesare Vecellio (cousin of Renaissance painter Titian) started using his books as a canvas in order to beautify them." A bunch of them were posted by the University of Iowa and the Boston Public Library, and check out some of our favorites below.
Jerusalem Delivered: a Heroic Poem, translated from the Italian of Torquato Tasso, by John Hoole, London, 1797 with three paintings: Trojans Arch, Ancona (left), Tasso in Prison (center) and the Bridge Of Sighs, Venice (right)
The Modern History of Hindustan, by Thomas Maurice, 1802, with a series of Hindu temples on the bank of a river and minarets of a Mohamedan mosque in the distance.
The Holy Bible, printed by R. Bowyer and J. Fittler in 1795, with Adam and Eve in the Garden Of Eden and The Last Supper, after Leonardo da Vinci, on a Holy Bible, printed by Sir D. H. Blair and J. Bruce in 1803
The Speeches of the Right Honorable WIlliam Pitt, in the House Of Commons (vol. 1), 1808, with a battle scene and the portraits of Napoleon and William Pitt
Latin and Italian poems of Milton translated into English verse, 1808 with a painting of the inn at Edmonton
Lady Jane Grey, a tale in two books with poems in English and Latin, by Francis Hodgson, printed in 1809, with the paintings of Lady Jane Grey and Edward VI with floral decorations.
History Of The University and Colleges of Cambridge (vol. 1), by George Dyer, 1814 with a fore-edge painting of New York in 1750.
Historical Illustrations of the Fourth Canto of Childe Harold, by John Hobhouse, printed in 1818, with a scene of Venice
The World Before The Flood by James Montgomery, 1819. The painting depicts a scene with some cave dwellers. The males preparing to defend themselves against a mammoth and some other wild animals while the women and children hide in their cave home.
Poems by the late William Cowper, printed in 1820, with three paintings on each volume after "The Cries of London"
Matches, Mackerel, Scissors
Primroses, Milk and Oranges
Peas, Strawberries, Cherries
Chairs, Love Songs, Gingerbread
The Rambler (vol. 1) by Samuel Johnson, printed in 1825 with a stagecoach scene of Wych Street, London
(via Lombard Maps)
The Royal Kalendar, and Court and City Register, for England, Scotland, Ireland, and the Colonies, for the year 1849, with a painting of Stonehenge
(via Lombard Maps)
The Poetical Works of Alexander Pope with memoir, dissertation and explanatory notes, by the Rev. George Gilfillan, 1863, with the painting of Pope's Villa at Twickenham
View of the State of Europe During the Middle Ages, by H. Hallam, 1869, with a painting of dancing medieval peasants
(via Lombard Maps)
Paradise Lost by John Milton, 1876 with a three-part painting. Left to right: Milton's House on York Street, Portrait of Milton and his burial place at St. Giles, Cripplegate
That machine is weird-looking enough, but you can see some of the strangest ones here.
The Holy Bible with the painting of a scene of a barber's shop with monkeys in human form, printed in 1883
Our Mutual Friend, by Charles Dickens, with a double-side fore-edge painting showing the portrait of the author as a young and an old man with vignettes from The Pickwick Papers and Oliver Twist
Works of Hans Sachsen (Hans Sachsens Ausgewahlte Werke) with a painting of men working in a shop, animals and a tree, and a man playing on violin
Illustrator Stephen Bowers creates a painting on a copy of A Narrative of a Survey of the Inter-tropical and Western Coasts of Australia by Philip Parker King (originally produced in 1826)