When I close my eyes at night, I can still hear that beautifully creepy score from Game of Thrones’ season finale, I can see the Great Sept of Baelor and the characters inside, and I can feel that chilly sense of doom. It’s funny how real those emotions are still, especially since so much of what we watched on TV was…
The Battle of the Bastards in Game of Thrones was one of the best battle sequences seen in TV or even film and a lot of it had to do with the set up and the show’s characters and how Game of Thrones incorporated stunning practical effects. But even more probably had to do with how excellent the special effects were.…
With a fantasy series like Game of Thrones, the invisible visual effects that bring the fictional world and creatures to life are just as important to the story as the show’s cast.
It’s absolutely no surprise that blockbuster movies rely so heavily on special effects and CG all the time now. When the effects are good, it just makes more sense for the fictional world they are building and the shots they are making. But it will forever be hilarious to see the actors act out in ridiculous suits and…
Swapping in a stunt double for an actor in a superhero movie is especially easy, since masks usually hide the character’s face. But the super-human abilities of most Marvel heroes are beyond the reach of even the most talented stunt performers. That’s where digital dopplegangers come in handy.
In the visual effects breakdown for Agent Carter season one, there are the usual suspects: explosions, effects from mad science, action sequences. But the thing that stands out is just how many effects were needed to turn the show’s California locations into period New York ones.
Star Wars and visual effects have always developed in tandem. The original trilogy is known for its groundbreaking practical effects; the prequel trilogy was made with landmark digital effects. Now, with The Force Awakens, both the practical and the digital have been fused in ground-breaking ways.
Star Wars has long been a franchise that prides itself on its visual effects and The Force Awakens is no different. Director J.J Abrams expertly blended practical and digital effects to make a Star Wars film worthy of that legacy. And now you can really see his handiwork.
Doctor Who’s ninth season gave us some fantastic images: gorgeous vistas of alien cities, weird and creepy aliens, the whole shebang. Now you can get a little glimpse into how the show’s VFX artists brought it all together in this nifty compilation video.
Cybermen! Ruthless, implacable cyborgs who have replaced emotion with logic, they are among the most deadly villains on Doctor Who. And despite being men in suits, they manage to look other-worldly, creepy and menacing. This took a lot of design savvy, as this exclusive concept art shows.
When you watch The Martian, obviously you know it’s a big visual effects film. But many of the effects themselves are not as obvious. Director Ridley Scott didn’t shoot on Mars (shocker!) so, to make where he did shoot look like the red planet required the kinds of effects you never really think of.
“We really are trying to make it as much like a live comic book as possible,” The Flash executive producer Gabrielle Stanton explains—and this video delves into the technical aspects that ambitious goal demands. Including the seamless mixing of CG and live-action in fights and cityscapes, and in scenes with characters…
This video is freaking great. Made by the team at RocketJump Film School, it makes a strong argument that while people love to crap on computer graphics in movies, those people don’t know what the hell they’re talking about.
When we caught up with Adam Savage at San Diego Comic Con, he was excited to talk about all things Star Wars. For one thing, he’s got a special Star Wars episode of MythBusters coming up. For another, though, he visited the set of The Force Awakens, and saw something really, really cool.
You know what happens in a real earthquake? A pause. And then slight confusion. And then frantically trying to remember what elementary school taught you on where you should go. And then panic because you don’t remember. You know what happens when you film an earthquake disaster movie such as San Andreas? Comedy.
For the past 40 years, Industrial Light & Magic has cooked up the special effects for countless movies and basically helped shape the imagination of movie watchers. They put together this reel of some of their work and the movies featured are basically any good movie with special effects in them.
Line Signal, by John Panton and Meat Bingo, is under ten minutes long, but is wonderfully set up and paid off. Beautifully shot, and strangely complex, it really rewards re-watching. Piecing it all together — if its meant to be — is a rewarding exercise.
Sony Pictures' Imageworks released a video showing just how much work went into sending Spidey web-swinging and web-slinging through New York City in Amazing Spider-Man 2. My god, look how much work it is to recreate Times Square, a place that is very close to being hell on earth as it is.
We're miffed that Andy Serkis didn't get any big nominations for his turn in Dawn of the Planet of the Apes. And now, after watching this new behind-the-scenes Weta Digital video depicting the on-set motion capture work by the "ape" cast, we're miffed on behalf of all the other actors, too.