Infodumps are a double-edged sword. They allow filmmakers to cram a ton of worldbuilding into a short amount of exposition but can also bludgeon the audience into a glassy-eyed stupor. What's the secret to cramming plot into the audience's earholes?
Now that young-adult fiction is where most of great dystopian stories are being told, there are two awesome discussions going on. Kaitlin Ward asks what's the difference between dystopian and apocalyptic fiction. And Angie Smibert wonders where the utopias are.