Not everybody is sad that Guillermo Del Toro isn't going to be directing The Hobbit after all. Lauren Panepinto, creative director at Orbit Books and Yen Press, explains why she had misgivings about a Pan's Labyrinth-style Hobbit.
Back when Guillermo Del Toro was announced as the director of The Hobbit, my initial response was an unenthusiastic groan. Immediately after this thought I felt some intense fangirl guilt - wasn't Pan's Labyrinth a fabulous and visually original movie? Absolutely. Isn't Del Toro one of the most visually stunning directors working today? Undeniable. Is he one of barely a handful of producers today that can get fantasy movies done without the studios screwing them up? A resounding Yes. But what I immediately thought was: "If I see one guy with eyeballs in the palms of his hands, I am going to lose it."
See, I'm a huge Hellboy comics fan, especially of Mike Mignola's art, and Del Toro's handling of the films really left me cold. The first film was a cautious adaptation, in much the way Singer's lukewarm first X-Men film was. But that was fine - there's only so much freedom you can squeeze out of a big studio when trying to adapt something so unique, and as downright strange, to the screen as a big red demon ghostbuster. And all while worrying about making enough money to greenlight a second film. But with Hellboy II, Del Toro had all the freedom to push the visual style into something really fabulous, and we got... Pan's Labyrinth with a big red demon ghostbuster. Don't tell me you all didn't think it when you saw the guy in the cave with the wings and the palm-eyeballs. You know you did.
Is it unfair to expect a director to be able to perfectly adapt a comic's visual style to the screen? Some would say yes, but Robert Rodriguez did a damn fine job with Sin City, and Zack Snyder absolutely nailed the visual translations of both 300 and Watchmen. There is a difference between directing a story of your own creation, and an adaptation of a property that is already loved and lauded for its visuals. Peter Jackson was so careful to stay true to so much of the visual library built up over the decades since Tolkien wrote The Lord of the Rings, and it paid off in the universal joy of fans everywhere. I just couldn't bring myself to trust that Del Toro would be able to follow P. J.'s lead and resist remaking the movies in his style. Maybe Peter Jackson will direct, maybe not. Certainly there are a lot of candidates, and there are plenty of directors better suited to working within an established visual language. I'd take Alfonso Cuaron in a hot second.